青楼歌舞妓やつし画尽 十番続|The Oiran Yoyogiku of Matsubaya Standing under a Cherry Tree
Medium
Woodblock print; ink and color on paper
Dimensions
H. 15 1/8 in. (38.4 cm); W. 9 7/8 in. (25.1 cm)
Classification
Prints
Culture & Period
Japan · Edo period (1615–1868)
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Estate of Samuel Isham, 1914
Accession Number
JP976
Rights
Public Domain
Tags
Art Historical Context
Step into the vibrant world of Edo-period Japan with Kitagawa Utamaro's *The Oiran Yoyogiku of Matsubaya Standing a Cherry Tree*, a stunning woodblock print from thekiyo-e tradition. Created during the 1615–1868 Edo period, this work captures the elegance of Yoyogiku, a oiran (high-ranking courtesan) the famed Matsubaya house in Yoshiwara, Tokyo's pleasure district. Utaro, a master of bijin-ga (pictures of beautiful women), immortalizes her poised beneath blooming cherry blossoms, symbols of fleeting beauty in Japanese culture. The print's intimate dimensions—15 1/8 x 9 7/8 inches—make it a personal treasure, now housed in the Metropolitan Museum of Art's Asian Art collection. Utamaro's genius shines in his meticulous use of ink and color on paper, achieved through the collaborative woodblock process involving carvers, printers, and publishers. Delicate lines define Yoyogiku's flowing kimono, intricate hairstyle, and graceful stance, while subtle gradients (bokashi) evoke the soft petals and dappled light. This technique highlights textures—from shimmering silk to fragile blossoms—elevating everyday scenes of the "floating world" into art. Part of the series *青楼歌舞妓やつし画尽 十番続* (likely "Continued Ten Views of Courtesans and Dancers"), the print reflects Edo Japan's fascination with urban pleasures, geisha culture, and ephemeral joys. Tags noting men, women, and trees hint at subtle narrative elements, inviting viewers to ponder the courtesan's allure amid nature's transience. A gift to the Met in 1914, it offers a window into a refined, hedonistic era.
About the Artist
Kitagawa Utamaro · 1753–1806
Kitagawa Utamaro (c. 1753-1806) was one of the most celebrated masters of ukiyo-e woodblock printing, revolutionizing the art of bijin-ga (pictures of beautiful women) during Japan's Edo period. Born Kitagawa Ichitaro, his early life remains shrouded in mystery, with conflicting accounts placing his birth in Kyoto, Osaka, Yoshiwara in Edo (modern Tokyo), or Kawagoe in Musashi Province. Under the t...