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The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18

The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18 by Wolf Traut|Hans Springinklee|Albrecht Dürer|Hieronymus Andreae

Medium

Woodcut

Dimensions

Sheet: 18 1/4 × 24 15/16 in. (46.4 × 63.4 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1928

Accession Number

28.82.37

Rights

Public Domain

Art Historical Context

Welcome to the Metropolitan Museum of Art's Drawings and Prints collection, where this impressive woodcut proof, *The Pinnacle of the Left; and a Trumpeter Standard from the Cupola the Central Portal, from Arch of Honor*, captivates with its grandeur. Dated 1515 and printed between 1517 and 18, it measures a striking 18¼ × 24⅞ inches (46.4 × 63.4 cm). Crafted by a stellar team of Northern Renaissance masters—Albrecht Dürer, Springinklee, Wolfut, and Hieronym Andreae—this piece showcases their collaborative genius in woodcut printing, a technique prized for its ability to produce bold, intricate details on a monumental scale through relief carving on wooden blocks. Part of the monumental *Triumphal Arch* honoring Holy Roman Emperor Maximilian I, this proof highlights architectural flourishes like the left portal's pinnacle and a trumpeter with banner from the central cupola. Woodcuts like this were revolutionary propaganda tools in the early 16th century, designed to be assembled into massive prints (up to 10 feet tall!) that could be pasted on walls across Europe, immortalizing the emperor's victories and legacy. Dürer's precise line work and the team's dynamic compositions blend Gothic ornamentation with emerging Renaissance realism, making complex stonework and lively figures leap off the page. Acquired through the Harris Brisbane Dick Fund in 1928, this rare proof offers a glimpse into the workshop magic behind one of history's largest prints—a testament to German printmaking's golden age.

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