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The Queen of Sheba and Solomon, from Old and New Testaments

The Queen of Sheba and Solomon, from Old and New Testaments by Augustin Hirschvogel

Medium

Etching

Dimensions

Sheet: 4 1/2 × 5 15/16 in. (11.5 × 15.1 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953

Accession Number

1975.508.1

Rights

Public Domain

Art Historical Context

Behold *The Queen of Sheba Solomon*, a delicate etching by the versatile German artist Augustin Hirschv, created in 1548. This intimate print (4 1/2 × 5 15/16 in.) captures a pivotal biblical encounter from the Old Testament, the wise Queen of She visits King Solomon to test his renowned wisdom, as recounted in 1 Kings 10. Part of Hirschvogel's series *Old and New Testaments it reflects the era's fascination with religious narratives amid the Protestant Reformation, blending spiritual storytelling with Renaissance precision. Hirschvogel, a Nuremberg-based master of multiple arts—including printmaking, cartography, and stained-glass design—was influenced by Albrecht Dürer. His etching technique, a relatively new intaglio method in the 16th century, allowed for intricate, fluid lines and tonal subtleties that surpassed traditional engraving, making complex scenes accessible on affordable paper. This small-scale work exemplifies Northern Renaissance printmaking's emphasis on clarity and detail, ideal for devotional study or collection. Housed in the Metropolitan Museum of Art's Drawings and Prints department through The Elisha Whittelsey Collection (1953), this piece highlights the cultural role of prints in disseminating biblical tales to everyday audiences, bridging sacred history with artistic innovation. A testament to Hirschvogel's enduring legacy, it invites us to ponder timeless themes of wisdom and encounter.

About the Artist

Augustin Hirschvogel · 15031553

Augustin Hirschvogel (1503–1553) was born in Nuremberg into a prominent family of stained-glass painters who dominated the city's glass workshops during the late 15th and early 16th centuries. The son of Veit Hirschvogel the Elder (1461–1525), Nuremberg's official glazier who executed designs after Albrecht Dürer and Hans von Kulmbach, Augustin trained as a glass painter in his father's workshop. ...

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