The reactionary press, trying in vain to jam the wheels, from 'News of the day,' published in "Le Charivari"

Art Historical Context

Honoré Daumier, the renowned 19th-century French caricist, created *The Reactionary Press, Trying inain to Jam the Wheels a sharp lithograph published in the satirical newspaper *Le Charari* on October , 1866. Part of the "News of Day" series, this second-state proof on wove paper captures Daumier's signature style dynamic, exaggerated figures blending realism with biting caricature. Men and women clutch flags, symbolizing political fervor, as reactionary journalists futilely obstruct the march of progress—depicted as unstoppable wheels. During Napoleon III's Second Empire, Daumier's work in *Le Charivari* relentlessly skewered corruption, press censorship, and social hypocrisy. This piece mocks conservative outlets desperate to halt liberal reforms, reflecting France's tense political climate amid industrialization and calls for change. Daumier's lithography, enhanced here with pen and brown ink, allowed mass reproduction of his potent social commentary, making art a weapon for the public. Measuring just over 10 by 8 inches, this Rogers Fund acquisition at the Metropolitan Museum of Art exemplifies Daumier's enduring legacy: over 4,000 lithographs that democratized satire, influencing modern political cartooning. A testament to his unyielding spirit, even after his 1832 imprisonment for caricature.

About the Artist

Honoré Daumier|Destouches|Arnaud de Vresse · 1810–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...