The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm" [Vermis Sericus]

Art Historical Context

Step into the bustling world of Renaissance industry with *The Reeling of Silk Plate 6 from the *The Introduction of the Silkworm*Vermis Sericus*), around 1595. Designed by Jan van der Stra, known as Stradanus—a artist who worked for the Medici family in Florence—and masterfully engraved by Philips Galle with Karel van Mallery's collaboration, this print captures a pivotal stage in silk production. Women are depicted deftly unwinding silk filaments from cocoons, a labor-intensive process central to the luxurious textile trade that Europe was eagerly adopting from Asia. This engraving highlights the era's fascination with technological innovation and economic opportunity. Silkworm cultivation, introduced to Italy in the 15th century, symbolized progress and wealth, with series like this educating viewers on the full lifecycle from egg to fabric. The detailed composition reflects Mannerist style—Stradanus's specialty—with intricate figures and tools emphasizing precision and communal effort, underscoring women's vital roles in early industry. As a fine example of 16th-century printmaking, the medium allowed widespread dissemination of such knowledge across Europe via Antwerp's printing hubs. Measuring just 7 3/16 × 10 9/16 inches, this gift to The Metropolitan Museum of Art preserves a snapshot of proto-industrial life, inviting us to appreciate the artistry behind everyday wonders.

About the Artist

Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery · 1537–1612

Philips Galle (1537–1612) was a leading Netherlandish engraver, designer, and print publisher whose career bridged the vibrant artistic scenes of Haarlem and Antwerp. Born in Haarlem, he studied under the humanist engraver Dirck Volkertsz. Coornhert, honing his skills in reproductive printmaking. Early on, Galle produced engravings after the Haarlem master Maarten van Heemskerck, capturing the Man...