The Sacrifice of Polyxena, from "Bacchanals and Histories"

Art Historical Context

In the electrifying etching *The Sacrifice of Polyxena, from "Bacchanals and Histories"* (1744), Venetian Rococo artist Francesco Fontebasso captures a pivotal moment from Greek mythology. Polyxena, daughter of King Priam of Troy, is dramatically sacrificed on the tomb of Achilles to appease his restless spirit after the Trojan War. Created amid Venice's vibrant 18th-century artistic scene, this print reflects Fontebasso's flair for theatrical compositions, influenced by masters like Giovanni Battista Tiepolo. As part of a series blending bacchanalian revelry with historical narratives, it showcases the Rococo era's love for dynamic movement, emotional intensity, and mythological drama. Etching, Fontebasso's chosen medium here, allowed for intricate line work etched into a metal plate with acid, then inked and printed. Measuring a generous plate size of 11 × 15 5/16 inches, this technique enabled the reproduction of his elaborate designs, making high-art accessible beyond oil paintings or frescoes. Housed in the Metropolitan Museum of Art's Drawings and Prints department (acquired via The Elisha Whittelsey Fund in 1970), it exemplifies how prints democratized Rococo exuberance. Fontebasso's work bridges painting and printmaking, inviting viewers to ponder ancient tragedy through a lens of 18th-century opulence—perfect for contemplating the timeless clash of heroism and ritual sacrifice.

About the Artist

Francesco Fontebasso · 1707–1769

Comment on works: Religious