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The Sea at Miura in Sagami Province (Soshu Miura no kaijo), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)"

The Sea at Miura in Sagami Province (Soshu Miura no kaijo), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)" by Utagawa Hiroshige

Medium

Color woodblock print; oban

Classification

print

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

59050

Rights

Public Domain

Art Historical Context

In the late Edo period, Utagawa Hiroshige (1797–1858), a master of ukiyo woodblock prints, created *The Sea at Miura Sagami Province* as part of his renowned series *Thirty-six Views Mount Fuji*. Released in 1858, just months before his death, thisan-sized color woodblock print (approximately 10 x 14 inches) captures the dramatic coastline of Miura in Sagami Province (modern-day Kanagawa), with the iconic Mount Fuji looming majestically in the distance amid turbulent waves and stormy skies. Hiroshige's series expanded on Katsushika Hokusai's famous views, offering 46 prints in total—ten more than advertised—to showcase Fuji's ever-changing presence in everyday Japanese landscapes. Hiroshige's genius lies in his atmospheric effects and bold compositions, achieved through precise woodblock carving and layering of vibrant inks. Here, the churning sea and distant peak evoke the sublime power of nature, a recurring theme in ukiyo-e that celebrated the fleeting beauty of the world (*mono no aware*). The large oban format allowed for intricate details, from foaming waves to tiny fishing boats, drawing viewers into a sense of vastness and impermanence. This print, held in the Art Institute of Chicago's Arts of Asia collection, exemplifies Hiroshige's influence on global art, inspiring Western Impressionists like Monet and Van Gogh with its fresh perspective on light, weather, and color. A timeless window into 19th-century Japan, it invites us to ponder humanity's harmony with the sea and sacred mountains.

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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