The Speculator
Medium
Painting
Classification
Painting
Department
Smithsonian Collection
Museum
Smithsonian American Art Museum
Credit
Smithsonian American Art Museum, Gift of Ruth C. and Kevin McCann in affectionate memory of Dwight David Eisenhower, 34th President of the United States
Accession Number
1976.114
Tags
About this artwork
A rural couple listens skeptically to a representative of the Building Association, identified by the paper in his coat pocket. The salesmanâwhose top hat, pointed shoes, and umbrella mark him as a city slickerâpromises the couple a better life as he unrolls a listing of "1000 Valuable Lots on Rail Road Ave." Francis William Edmonds's comic genre scenes captured the rough-and-tumble of America's frontiers. Democracy meant opportunity for all, and there were plenty of opportunities to fleece ...
Art Historical Context
In Francis William Edmonds's *The Speculator* (2), a skeptical rural couple stands in their modest kitchen, eyeing a slick city salesman who unrolls a grand plan for "1000 Valuable Lots on Road Ave." The peddler, marked by his top hat, shoes, and umbrella, the opportunistic "city slicker" promising prosperity amid America's westward push. Tags like "kitchen," "figure group," "cooking," and "investor" the everyday domestic scene turned comic cautionary tale. Edmonds, a master of humorous genre painting, captured the rough-and-tumble spirit of mid-19th-century frontiers. As railroads raced west...
About the Artist
Francis William Edmonds · 1806–1863
Francis William Edmonds, born on November 22, 1806, in Hudson, New York, into a prominent Quaker family as the seventh child of storekeeper and public servant Samuel Edmonds and Lydia Worth Edmonds, displayed remarkable artistic talent from youth. After Quaker schooling and farm work, he entered banking in 1823 as a clerk at the Tradesmen's Bank in New York City under his uncle Gorham Worth, a pat...