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The Style of Woman's Fashion (Jochū ehon fūzoku yō) 女中絵本風俗容

The Style of Woman's Fashion (Jochū ehon fūzoku yō) 女中絵本風俗容 by Unidentified artist

Medium

Black and white illustrations with captions; ink on paper

Dimensions

8 3/4 x 6 in. (22.2 x 15.2 cm)

Classification

Illustrated Books

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of W. Gedney Beatty, 1941

Accession Number

JIB154

Rights

Public Domain

Tags

WomenMenTea DrinkingBoatsEating

Art Historical Context

### The Style of Woman's Fashion (Jochū ehon fūzoku yō) Step into the lively world of Edo-period Japan1615–1868) this charming illustrated book, created by an unidentified artist using delicate ink on paper. Measuring a compact 8¾ x 6 inches, its black-and-white illustrations paired with Japanese captions capture the nuances of women's fashion and daily customs, particularly those of *jochū*—female attendants or maids Produced during a time of urban prosperity and cultural flourishing in cities like Edo (modern Tokyo), such *ehon* (picture books) were popular for their intimate glimpses into social life, blending artistry with everyday observation. The artwork's scenes evoke the period's refined leisure pursuits, featuring women and men engaged in tea drinking, eating, and boating—activities that highlight the elegance of fashion amid communal joys. Ink illustrations, a staple of Japanese book art, allowed for precise lines and subtle shading, emphasizing clothing styles, hairstyles, and postures that defined status and grace. These books were not just decorative; they served as style guides and cultural records, reflecting the ukiyo-e spirit of "floating world" ephemera without the vibrancy of color prints. Housed in the Metropolitan Museum of Art's Asian Art department through the 1941 bequest of W. Gedney Beatty, this piece invites visitors to appreciate how ordinary moments were elevated to art, offering a window into Japan's golden age of woodblock-inspired illustration and social commentary. (198 words)

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