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The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets...

The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets... by John Pine|Clement Lemprière|Hubert François Gravelot|Hendrick (Cornelisz) Vroom

Medium

Illustrations: etching and engraving

Dimensions

21 3/16 x 14 15/16 in. (53.8 x 38 cm)

Classification

Books

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963

Accession Number

63.608.1

Rights

Public Domain

Tags

ShipsMaps

Art Historical Context

Step into the grand narrative of naval history with *The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets* (1739), a captivating book of illustrations now housed in the Metropolitan Museum of Art's and Prints department. This work meticulously reproduces the monumental tapestries adorning the House of Lords, which vividly depict pivotal clashes between English and Spanish fleets—likely evoking the dramatic sea battles of the late 16th century, such as those during the Spanish Armada campaigns. These hangings served as powerful symbols of English triumph and national pride, blending artistry with patriotic storytelling in a public space of power. Crafted through the precise techniques of etching and engraving by a stellar collaboration—John Pine, Clement Lemprière, Hubert François Gravelot, and drawing from designs by renowned marine artist Hendrick (Cornelisz) Vroom—these 21 3/16 x 14 15/16-inch plates measure history with cartographic accuracy. Tags of "Maps" and "Ships" highlight their detailed renderings of vessels and battle charts, transforming woven tapestries into accessible prints. Pine's expertise in reproductive engraving made these scenes available beyond elite viewers, preserving Vroom's Mannerist style of dynamic maritime drama for posterity. Acquired through The Elisha Whittelsey Collection in 1963, this book not only showcases 18th-century printmaking prowess but also underscores how art immortalizes collective memory, inviting us to sail through centuries of rivalry and resilience.

About the Artist

John Pine|Clement Lemprière|Hubert François Gravelot|Hendrick (Cornelisz) Vroom (British|British) · 1700 |1690 1800 |1756

London|British, London 1690–1756 London

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