The Triumph of Pride, from The Cycle of the Vicissitudes of Human Affairs, plate 3

Art Historical Context

Behold *The Triumph of Pride*, plate 3 from *The Cycle of the Vicitudes of Human Affairs*, captivating 1564 engraving crafted through a masterful collaboration. Designed by the renowned Dutch artist Maarten van Heemskck, who drew inspiration from Italian Renaissance grandeur, it was expertly engraved by Cornelis Cort and published byonymus Cock—one of Antwerp's leading printmakers. This first-state impression, measuring 8 15/16 × 11 5/8 inches, exemplifies the Northern Renaissance's innovative print culture, allowing intricate designs to reach wide audiences beyond paintings. The scene bursts with allegorical drama: a triumphant procession features men and women guiding chariots pulled by horses, with strutting peacocks—classic symbols of vanity and pride—at the forefront. As part of a moral series exploring human fortunes' ups and downs, it likely warns of pride's fleeting glory amid life's vicissitudes, echoing Renaissance humanist themes and classical triumphs. Engraving's fine lines capture dynamic movement and rich detail, showcasing Cort's precision in translating Heemskerck's vision. Housed in the Metropolitan Museum of Art's Elisha Whittelsey Collection, this print highlights 16th-century Antwerp's role as a printmaking hub, blending artistry with moral reflection for thoughtful viewers.

About the Artist

Cornelis Cort|Maarten van Heemskerck|Hieronymus Cock · 1533–1578

Comment on works: copper engraver; engraver; etcher