Artheon MuseumArtheonMuseum

The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries)

Unknown Artist

1495–1505

The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries) by Unknown Artist

Medium

Wool warp with wool, silk, silver, and gilt wefts

Dimensions

Overall: 66 1/2 x 25 1/2 in. (168.9 x 64.8 cm)

Classification

Textiles-Tapestries

Culture

French (cartoon)/South Netherlandish (woven)

Department

The Cloisters

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of John D. Rockefeller Jr., 1938

Accession Number

38.51.1

Rights

Public Domain

Tags

FencesWomenUnicornsFlowersTreesMenHornsDogs

Art Historical Context

Created around 1495–1505, *The Unicorn Surrenders to a Maiden* belongs to the renowned Unicorn Tapestries, a celebrated series now housed at The Met Cloisters. Woven in the South Netherlands from a French design, these luxurious hangings reflect the refined tastes of late medieval European nobility. The scene captures the moment when the mythical unicorn, traditionally wild and untamable, gently rests its head in the lap of a pure maiden—an allegory of innocence, courtly love, and the power of virtue drawn from medieval bestiaries and romance literature. The tapestry’s rich materials—wool, silk, silver, and gilt threads—create shimmering effects that once caught the light in candlelit halls. Intricate details of flowering meadows, wooden fences, and attendant figures reveal the collaborative skill of cartoon designers and weavers. Though the artist remains unknown, the work exemplifies the highest achievement in late fifteenth-century textile art. Today, this panel enchants visitors with its blend of symbolism and natural observation, reminding us how tapestries served both as grand decoration and storytelling devices for their original owners.

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