Three Horses Tended by Men; Stone Pavement (recto); Horses and Figures in a Landscape (verso)
1910
Medium
Ink on paper
Dimensions
4 1/2 x 6 1/8 in. (11.4 x 15.6 cm)
Classification
Drawings
Department
Modern and Contemporary Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Lydia Winston Malbin, 1989
Accession Number
1990.38.16ab
Rights
Public Domain
Tags
Art Historical Context
Umberto Boccioni's *Three Horses Tended by Men; Pavement (recto Horses and Figures in a (verso)*, in 1910, the artist's early exploration of Futurist ideals just a year after the movement's incendiary manifesto. As a leading figure in Italian Futurism, Boccioni sought to convey the dynamism of modern life, rejecting static traditions in favor of motion, energy and multiplicity. This intimate ink drawing on paper—measuring a mere 4½ x 6⅛ inches—reflects his fascination with equine forms, often symbolizing raw power and speed in transition from pastoral to industrialized worlds. The recto features three horses being tended by men against a stone pavement, suggesting urban interaction with nature, while the verso depicts horses and figures amid a expansive landscape, hinting at spatial depth and movement. Boccioni's fluid ink lines evoke Futurist techniques like "linea-forza" (lines of force), blending precise hatching with expressive strokes to imply velocity and form in flux. Its double-sided composition underscores the experimental nature of his sketches, many of which served as studies for larger paintings and sculptures. Bequeathed to the Metropolitan Museum of Art in 1989 by Lydia Winston Malbin, this work exemplifies Boccioni's pivotal role in revolutionizing early 20th-century art, inviting viewers to ponder the poetry of motion in everyday scenes. A gem for Futurism enthusiasts, it reveals the artist's hand in miniature.
About the Artist
Umberto Boccioni · 1882–1916
Umberto Boccioni (1882–1916) was an Italian painter and sculptor who became the leading artist and principal theorist of the Futurist movement. Born in Reggio Calabria, he studied in Rome under the Divisionist painter Giacomo Balla and was deeply influenced by Post-Impressionism before encountering the ideas of Filippo Tommaso Marinetti, whose 1909 Futurist Manifesto catalyzed Boccioni's artistic ...