Tilbury by James McNeill Whistler (1834-1903)

Classification

Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Gift of Charles Lang Freer

Accession Number

F1888.10

Tags

American ArtCharles Lang Freer collectionUnited Statesboatetching (printing process)

About this artwork

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G312 state 2 of 3.

Art Historical Context

James McNeill Whistler’s 1887 etching *Tilbury* captures a quiet riverside scene along the Thames estuary, where boats and industrial activity meet open water. Born in the United States but long resident in Europe, Whistler was celebrated for his mastery of printmaking, producing atmospheric views that blend precise observation with a sense of fleeting light and space. This work belongs to his later series of Thames subjects, reflecting both his fascination with modern ports and his refined approach to composition. Identified as G312, state 2 of 3, in the definitive catalogue of Whistler’s et...

    Send Feedback

    We use this only to reply to your feedback.