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對山先生山水画譜(たいざん せんせい さんすいがふ)|Untitled Picture Album of Fifteen Ink Paintings 對山先生山水画譜(たいざん せんせい さんすいがふ)

對山先生山水画譜(たいざん せんせい さんすいがふ)|Untitled Picture Album of Fifteen Ink Paintings 對山先生山水画譜(たいざん せんせい さんすいがふ) by Hine Taizan 日根對山

Medium

Accordion album; ink on paper

Dimensions

8 11/16 × 6 11/16 in. (22 × 17 cm)

Classification

Illustrated Books

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Mary and James G. Wallach Foundation Gift, 2013

Accession Number

2013.845

Rights

Public Domain

Tags

LandscapesTrees

Art Historical Context

Step into the serene world of Edo-period Japan with *Untitled Picture Album of Ink Paintings* by Hine Taizan, created around 1850. This intimate accordion-fold album (orihon), measuring just 8 11/16 × 6 11/16 inches, unfolds like a personal scroll, revealing fifteen delicate ink landscapes on paper. Hine Ta, whose name evokes "Opposing Mountain," captures the essence of nature through masterful sumi-e techniques—subtle gradations of ink wash evoking mist-shrouded peaks, winding rivers, and sturdy trees. In the waning years of Japan's Edo period (1615–1868), such albums bridged traditional literati painting and personal sketchbooks, blending Chinese-inspired sansui-ga (mountain-water) motifs with Japanese sensitivity. The accordion format encouraged contemplative viewing, page by page, fostering a meditative dialogue with the artist's brushwork. Taizan's economical lines and textured washes highlight the beauty in simplicity, a hallmark of ink monochrome art that prized suggestion over detail. Housed in the Metropolitan Museum of Art's Asian Art Department since 2013, this rare work invites visitors to ponder the harmony of humanity and nature—a timeless Edo ideal. Whether you're a landscape lover or new to Japanese art, its portable poetry offers a window into 19th-century artistic introspection.

About the Artist

Hine Taizan 日根對山 (Japanese) · 1813 1869

Japanese, 1813–1869

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