Untitled (Portrait of a Woman holding a Child)
Medium
Daguerreotype
Dimensions
8.2 × 7 cm (3 1/4 × 2 13/16 in.); Open case: 9.3 × 16 × 1 cm (3 11/16 × 6 5/16 × 7/16 in.); Case: 9.3 × 8 × 1.6 cm (3 11/16 × 3 3/16 × 11/16 in.); Plate: 8.3 × 7 cm (3 1/4 × 2 3/4 in.)
Classification
portrait
Department
Photography and Media
Museum
Art Institute of Chicago
Accession Number
249997
Rights
Public Domain
Art Historical Context
In the mid-19th century, photography was still a novel wonder, Charles De Forest Fred captured this tender *Untitled (Portrait of a Holding a Child)* in 1858 using the daguerreotype process.ricks, a prominent New York-based photographer known for his portraits and later cartes-de-visite, produced this intimate image on a small silvered copper plate measuring just 8.3 × 7 cm. Housed in a protective case the work exemplifies the era's portable, jewel-like photographs, often treasured as family keepsakes. The daguerreotype, invented in 1839 by Louis Daguerre, was the first publicly available photographic medium, creating a one-of-a-kind, highly detailed positive image with a mirror-like sheen. By 1858, as cheaper alternatives like ambrotypes emerged, daguerreotypes remained prized for their precision and luminosity—ideal for close-up portraits like this one. Subjects had to remain perfectly still for up to 20-30 seconds, lending the posed figures a dignified formality that reflects Victorian ideals of motherhood and domesticity. Today, at the Art Institute of Chicago's Department of Photography and Media, this portrait offers a glimpse into everyday 19th-century life, highlighting photography's role in democratizing portraiture beyond elite painters. Its diminutive scale invites visitors to lean in, marveling at the technical marvel that preserved a fleeting moment forever.