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Various Lamps and a vase encusted with cameos, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi)

Various Lamps and a vase encusted with cameos, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi (Vases, candelabra, grave stones, sarcophagi, tripods, lamps and ornaments designed and etched by Cavaliere Giovanni Battista Piranesi) by Giovanni Battista Piranesi

Medium

Etching

Dimensions

Sheet: 16 1/8 x 22 5/8 in. (41 x 57.5 cm) Plate: 15 3/16 x 21 1/16 in. (38.5 x 53.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Frances C. Rooff, 1984

Accession Number

1984.1127.2

Rights

Public Domain

Tags

LampsVases

Art Historical Context

Step into the enchanting world of ancient Roman artifacts through this exquisite etching by Giovanni Battista Piranesi, a 18th-century Italian and architect. Titled *Various Lamps and a V Encrusted with Cameos*, this plate from his monumental series *Vasi,elabri, cippi, sarcofagi, trip, lucerne, edamenti antichi* (V, Candelabra, Cippi, Sarcophagi,ods, Lamps, and Ancient Ornaments, ca. 1778) showcases an array of intricately designed oil lamps and a lavish cameo-encrusted vase. Piranesi's meticulous renderings capture the opulent details of these rediscovered treasures, evoking the grandeur of classical antiquity. Created during the Neoclassical era, when Europe was enthralled by Roman ruins, Piranesi's work fueled the era's passion for archaeological revival. As a fervent advocate for Rome's imperial legacy, he personally excavated and documented artifacts, transforming them into highly detailed etchings that served as both scholarly records and design inspirations for architects and collectors. This print exemplifies his Romantic-leaning Neoclassicism, blending precise observation with dramatic shading to imbue everyday objects with monumental presence. Etched on a grand plate measuring 15 3/16 x 21 1/16 inches, the technique allowed Piranesi to achieve extraordinary texture—from the flickering motifs on the lamps to the sculpted cameos—making it a cornerstone of printmaking innovation. Now in the Metropolitan Museum of Art's Drawings and Prints collection (gift of Frances C. Rooff, 1984), it invites visitors to ponder the enduring allure of Rome's lost splendor.

About the Artist

Giovanni Battista Piranesi · 17201778

Giovanni Battista Piranesi (1720–1778) was an Italian printmaker, architect, and antiquarian whose visionary etchings of Rome and imaginary prisons revolutionized architectural representation and profoundly influenced both Neoclassicism and Romanticism. Piranesi stands as one of the most important printmakers of the eighteenth century, fundamentally shaping European perceptions of ancient Rome an...

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