Vase decorated with a Bacchanalian frieze, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
1778–80
Medium
Etching
Dimensions
Plate: 20 11/16 x 15 3/16 in. (52.5 x 38.5 cm) Sheet: 20 1/2 x 15 3/16 in. (52 x 38.5 cm) printed horizontally
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Rogers Fund, transferred from the Library
Accession Number
41.71.1.13(40)
Rights
Public Domain
Tags
Art Historical Context
Step into the opulent world of ancient Rome through Giovanni Battista Piranesi's masterful etching, *Vase decorated with a Bacalian frieze*, from his 1778–80 publication *asi, candelabri, cippi, sarcof, tripodi, luc, ed ornamenti antichi This Venetian-born artist (1720–1778), a virtuoso of 18th-centurymaking, devoted his life to celebrating Roman antiquities. In this volume, Piranesi meticulously documented—and sometimes imaginatively reconstructed—vases, candelabra, and sarcophagi, blending archaeological precision with dramatic flair to inspire the Neoclassical revival sweeping Europe. The composition centers on a grand vase adorned with a lively Bacchanalian frieze, depicting revelers honoring Bacchus, the god of wine and ecstasy. Etched on a large horizontal plate (20 11/16 x 15 3/16 inches), Piranesi's technique shines: intricate cross-hatching creates shadowy depths and textured surfaces, evoking the vase's marble heft and the frieze's chaotic energy. His Baroque-influenced style, with exaggerated scale and atmospheric perspective, transforms static artifacts into visions of imperial grandeur. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this print exemplifies Piranesi's cultural legacy—bridging antiquity and the Enlightenment, fueling architects like Robert Adam and collectors alike. It's a window to Rome's mythic past, reminding us how one artist's obsession immortalized forgotten treasures.
About the Artist
Giovanni Battista Piranesi · 1720–1778
Giovanni Battista Piranesi (1720–1778) was an Italian printmaker, architect, and antiquarian whose visionary etchings of Rome and imaginary prisons revolutionized architectural representation and profoundly influenced both Neoclassicism and Romanticism. Piranesi stands as one of the most important printmakers of the eighteenth century, fundamentally shaping European perceptions of ancient Rome an...