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Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin

Unknown Artist

16th century

Velvet Fragment with Design from Nizami of Ganja's Khusrau and Shirin by Unknown Artist

Medium

Silk; cut velvet

Dimensions

Textile: L. 15 3/8 in. (39 cm) W. 6 1/2 in. (16.5 cm) Mount: L. 20 in. (50.8 cm) W. 11 1/2 in. (29.2 cm) D. 3/4 in. (1.9 cm) Wt. 4 lbs. (1.8 kg)

Classification

Textiles

Department

Islamic Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, The Seley Foundation Inc., Schimmel Foundation Inc., Ruth Blumka and Charles D. Kelekian Gifts, and Rogers Fund, 1978

Accession Number

1978.60

Rights

Public Domain

Tags

HorsesFemale NudesBathing

Art Historical Context

This stunning 16th-century silk fragment captures a vivid scene from the Persian poet Nizami of Ganja's beloved epic *Khusrau and Shirin*, part his *Khamsa* collection of romantic tales. depicting a bathing episode with graceful female nudes and horses—iconic motifs in the story—the textile brings to life the chivalric love between Prince Khusrau Princess Shirin, blending sensuality, adventure, and courtly drama captivated Islamic audiences for centuries. Crafted using the labor-intensive cut velvet technique, where the silk pile is precisely sheared to form intricate patterns against a voided ground, this piece exemplifies the opulence of Safavid-era Persian or Ottoman textile arts. Such fragments were prized for garments, furnishings, or ceremonial hangings, showcasing weavers' mastery in translating miniature painting motifs into sumptuous fabrics. The small size (15⅜ × 6½ inches) hints at its survival from a larger work, preserved through meticulous museum acquisition. In the Islamic art tradition, textiles like this bridged literature and luxury, serving as portable storytelling devices for elite patrons. Today, at the Metropolitan Museum of Art, it invites us to marvel at how 16th-century artisans wove poetry into fabric, evoking the lush gardens and passionate encounters of Nizami's world.

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