Venus mourning Adonis, seated beneath a tree and embracing him, with Cupid at right
Medium
Engraving
Dimensions
Image: 7 9/16 × 6 5/8 in. (19.2 × 16.8 cm) Sheet (Trimmed): 9 3/16 × 7 3/8 in. (23.3 × 18.8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942
Accession Number
42.119.304(14)
Rights
Public Domain
Art Historical Context
In this evocative engraving, *Venus Mourning Adonis*, we witness a timeless scene from classical mythology from Ovid's *Metamorphoses*. Venus, the of love, cradles her dying beloved Adonis beneath a sprawling tree, her grief palpable as she embraces his lifeless form. At right, the winged Cupid stands as a poignant witness, symbolizing the bittersweet interplay of love and mortality. This intimate composition captures the raw emotion of loss, a motif that resonated across centuries. Created around 1786, the print reproduces an original design by 16th-century Genoese Mannerist artist Luca Cambiaso, masterfully engraved by Gérard René Le Vilain and Jean Bernard Duvivier. Engraving, an intaglio technique involving incised metal plates inked and pressed onto paper, allowed for exquisite detail and tonal depth—ideal for disseminating Cambiaso's dramatic figures to a broader audience during the Neoclassical era's revival of antiquity. Housed in The Metropolitan Museum of Art's Drawings and Prints department (Gertrude and Thomas Jefferson Mumford Collection, 1942), this 7 9/16 × 6 5/8 in. work highlights printmaking's role in democratizing art. Its survival underscores the enduring allure of mythological narratives, blending Renaissance invention with 18th-century precision for collectors and scholars alike.
About the Artist
Luca Cambiaso|Gérard René Le Vilain|Jean Bernard Duvivier · 1527–1585
Luca Cambiaso (1527–1585) was an Italian painter and draftsman who dominated artistic life in Genoa during the second half of the sixteenth century and became one of the most innovative draftsmen of the Late Renaissance. Born in Moneglia near Genoa, he trained under his father, the painter Giovanni Cambiaso, and demonstrated precocious talent, reportedly completing his first public fresco commissi...