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Venus Reprimanding Her Son, from The Story of Psyche

Venus Reprimanding Her Son, from The Story of Psyche by Master of the Die

Medium

Engraving in warm brown ink on cream laid paper

Dimensions

Plate: 20 × 23.5 cm (7 7/8 × 9 5/16 in.); Sheet: 27 × 37 cm (10 11/16 × 14 5/8 in.)

Classification

engraving

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

158186

Rights

Public Domain

Art Historical Context

Behold *Venus Reprimanding Her Son, from The Story of Psyche*, a captivating engraving by the enigmatic Master of the Die, created around 1530–40. This anonymous Netherlandish artist, named for the exceptional quality of his printmaking tools, specialized in intricate mythological scenes drawn from classical tales. Here, Venus—goddess of love—scolds her son Cupid amid the dramatic narrative of Psyche from Apuleius's ancient Roman novel *The Golden Ass*. The Renaissance fascination with antiquity fueled such works, blending humanism with vivid storytelling to explore themes of jealousy, love, and divine intrigue. Crafted as an engraving in warm brown ink on cream laid paper (plate: 20 × 23.5 cm), this print showcases the medium's revolutionary power. Unlike paintings, engravings allowed for multiple impressions, democratizing art and spreading classical motifs across Europe for collectors, scholars, and decorators. The Master's precise line work captures dynamic poses and expressive faces, with the warm tonality adding a rare, luminous depth reminiscent of chiaroscuro effects. Housed in the Art Institute of Chicago's Prints and Drawings Department, this piece highlights printmaking's golden age, bridging Northern Renaissance detail with Italianate grace. Visitors, imagine Venus's stern gaze echoing timeless parental woes—timeless art from a bygone era!

About the Artist

Master of the Die · 15251560

**Master of the Die** (fl. 1525–1560) was an anonymous Italian engraver and printmaker active primarily in Rome during the mid-16th century. Named for the distinctive small die he used to sign his prints—a tiny emblematic mark that became his moniker—this elusive artist remains unidentified despite scholarly proposals linking him to figures like Benedetto Verino, Giovanni Francesco Zabello, Tommas...

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