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View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)

View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania) by Giovanni Battista Piranesi

Medium

Etching

Dimensions

Sheet: 20 3/16 x 27 5/16 in. (51.2 x 69.4 cm) Plate: 26 7/8 in. (68.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Carroll G. Ross, 1945

Accession Number

45.31

Rights

Public Domain

Tags

ColumnsRuinsArchitecture

Art Historical Context

Step into the shadowed grandeur of ancient Paestum with Giovanni Battista Piranesi's etching *View showing the remains of a large enclosure of columns... created around 1748. This captivating print is part of a series titled *Différentes vues de quelques Restes de trois grands Édifices*, documenting the enduring Doric temples at the heart of Posidonia (modern Paestum), a Greek colony founded around 600 BCE in the region of Lucania, southern Italy. Rediscovered in the Renaissance and explored by 18th-century Grand Tourists, these ruins symbolized the sublime power of antiquity amid neoclassical revival. Piranesi, a Venetian-born architectural visionary and etching virtuoso, masterfully employs the medium's intricate lines to evoke drama and scale. His veduta style—topographical views infused with Baroque intensity—captures crumbling columns and vast enclosures with meticulous detail, blending precise observation with atmospheric depth. At over 27 inches wide, the sheet immerses viewers in the site's majestic decay, highlighting architectural marvels like the Temple of Hera. This work from The Metropolitan Museum of Art's collection underscores Piranesi's role in preserving and romanticizing classical heritage, inspiring architects and artists across Europe. A testament to etching's power, it invites us to ponder the dialogue between past glory and time's gentle erosion.

About the Artist

Giovanni Battista Piranesi · 17201778

Giovanni Battista Piranesi (1720–1778) was an Italian printmaker, architect, and antiquarian whose visionary etchings of Rome and imaginary prisons revolutionized architectural representation and profoundly influenced both Neoclassicism and Romanticism. Piranesi stands as one of the most important printmakers of the eighteenth century, fundamentally shaping European perceptions of ancient Rome an...

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