Artheon MuseumArtheonMuseum

Volendam Girl in Costume

Volendam Girl in Costume by Emil Orlik

Medium

pastel on gray-brown paper

Dimensions

overall: 36 x 28.6 cm (14 3/16 x 11 1/4 in.)

Classification

Drawing

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Jill Newhouse and Andrew Robison

Accession Number

2000.90.1

Rights

Public Domain

Art Historical Context

**Volendam Girl in Costume**1898) by Emil Orlik captures the charm of a young woman from Dutch fishing village of Volendam, renowned for its colorful traditional attire. Orlik, an Austrian and printmaker active in Vienna's Secessionist circles, traveled to the Netherlands around this time, drawn to the region's vibrant folk costumes and everyday scenes. This intimate portrait reflects the late 19th-century fascination European artists with picturesque rural life, blending Orlik's keen observation with influences from Japanese woodblock prints that emphasized pattern and color. Executed in pastel on gray-brown toned paper—a medium Orlik favored for its immediacy and luminosity—this 36 x 28.6 cm drawing (14 3/16 x 11 1/4 in.) exploits the paper's subtle hue to heighten contrasts in highlights and shadows. Pastel's soft, blendable strokes bring out the textures of the girl's embroidered costume and the warmth of her expression, showcasing Orlik's skill in graphic arts and portraiture. Now housed in the National Gallery of Art's CG-W Department as a gifted drawing from Jill Newhouse and Andrew Robison, this work offers a window into turn-of-the-century cultural encounters, preserving a fleeting moment of Dutch heritage amid modernism's rise.

About the Artist

Emil Orlik · 18701932

Emil Orlík (1870–1932) was a Czech painter, etcher, and lithographer whose cosmopolitan career bridged the artistic centers of Prague, Vienna, Munich, Berlin, and Tokyo. Born on July 21, 1870, in Prague, Orlík became one of the most important promoters of Japanese art and woodcut techniques in early twentieth-century Europe, directly studying traditional Japanese printmaking methods during two ext...

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