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Walrus, from the Animals of the World series (T180), issued by Abdul Cigarettes

Walrus, from the Animals of the World series (T180), issued by Abdul Cigarettes by Abdul Cigarettes

Medium

Commercial color lithograph

Dimensions

Sheet: 1 5/8 × 2 3/4 in. (4.2 × 7 cm)

Classification

Prints|Ephemera

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick

Accession Number

63.350.246.180.31

Rights

Public Domain

Tags

Animals

Art Historical Context

Step into the whimsical world of 19th ephemera with *Walrus, from the Animals of the World series (T180)*, a tiny commercial color lithograph issued by Abdul Cigarettes in 1. Measuring just 1 5/8 × 2 3/4 inches, this pocket-sized print was tucked into cigarette packs as a collectible incentive, sparking a craze for trading cards among smokers and children alike. Part of a broader series showcasing global wildlife, it reflects the era's fascination with exotic animals, blending education and entertainment in an age before widespread photography. Chromolithography, the medium here, was a breakthrough in mass printing, allowing vibrant, multi-layered colors to be produced affordably on a commercial scale. This technique brought the walrus's bulky form and tusks to life with striking detail, making distant creatures accessible to everyday audiences. Issued by Abdul Cigarettes—likely evoking an exotic, Turkish-inspired brand—the card exemplifies how tobacco companies marketed their products through cultural curiosities. Today, preserved in The Metropolitan Museum of Art's Jefferson R. Burdick Collection, this ephemera highlights the artistry of everyday objects. It reminds us how such humble prints fueled collecting hobbies that evolved into serious scholarship, preserving glimpses of Victorian-era wonder.

About the Artist

Abdul Cigarettes · 18811881

Abdul Cigarettes, an enigmatic American entity active solely in 1881, stands as a fascinating footnote in the history of commercial art, best known for producing vibrant chromolithograph trade cards inserted into cigarette packages as promotional inserts. Little is documented about its origins or personnel, suggesting it operated as a short-lived publishing venture rather than the work of a singul...

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