Wax model for a portrait of King George IV (1762–1830)
Medium
Wax on slate
Dimensions
Diameter (confirmed): 4 1/16 in. (103.4 mm)
Classification
Medals and Plaquettes
Culture
British, London
Department
European Sculpture and Decorative Arts
Museum
Metropolitan Museum of Art, New York, NY
Credit
Purchase, Lila Acheson Wallace, The Isak and Rose Weinman Foundation Inc., Mr. and Mrs. J. Tomilson Hill, and Stephen K Scher Gifts and funds from various donors, 2018
Accession Number
2018.435
Rights
Public Domain
Tags
Art Historical Context
This delicate wax model, created by Italian-born engraver Benedetto Pistrucci in 1820, served as a preparatory portrait of King George IV, who ascended the British throne that very year. Measuring just over 4 inches in diameter it captures the monarch's profile in intricate detail on a slate base, exemplifying the precision of wax modeling—a favored technique among 19th-century medalists for designing coins, plaquettes, and cameos before metal casting. Pistrucci, renowned for his work at the Royal Mint including the iconic St. George and the Dragon reverse on British sovereigns, brought neoclassical flair to this piece, evoking ancient Roman coins with its dignified, laurel-crowned visage. Historically, this artwork coincides with George IV's coronation amid Regency-era pomp and political turbulence, reflecting the era's fascination with regal iconography on small-scale luxury objects. Wax on slate allowed for fine adjustments and preserved the model as a standalone artwork, blending sculpture with decorative arts. Acquired by The Metropolitan Museum of Art in 2018, it offers visitors a rare glimpse into the meticulous craft behind Britain's numismatic heritage, highlighting Pistrucci's mastery in elevating royal portraiture to artistic heights.
About the Artist
Benedetto Pistrucci · 1783–1855
Italian, 1783–1855, active England