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White-Tailed Wildebeest, from the Animals of the World series (T180), issued by Abdul Cigarettes

White-Tailed Wildebeest, from the Animals of the World series (T180), issued by Abdul Cigarettes by Abdul Cigarettes

Medium

Commercial color lithograph

Dimensions

Sheet: 1 5/8 × 2 3/4 in. (4.2 × 7 cm)

Classification

Prints|Ephemera

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick

Accession Number

63.350.246.180.29

Rights

Public Domain

Tags

Animals

Art Historical Context

Step into the vibrant world of 19th ephemera with *White-Tailed Wildebe* from the *Animals of World* series (T), issued by Abdul Cig in 1881. This petite commercial color lithograph, just 1 5/8 × 2 3/4 inches, captures the majestic African gnu in intricate detail, showcasing its distinctive white tail and robust form. Part of a popular series tucked into cigarette packs, these turned everyday smoking into a gateway for armchair exploration of global wildlife, education with marketing savvy. Chromolithography, the medium here, revolutionized printing in the Victorian era by layering vibrant colors through multiple lithographic stones—a technique that made high-quality, affordable images accessible to the masses. No longer reserved for fine art, it fueled the collectibles boom, with sets like T180 inspiring enthusiasts to trade and complete albums. This card exemplifies how commerce intertwined with curiosity, popularizing natural history at a time when zoos and expeditions fueled public fascination with exotic animals. Housed in the Metropolitan Museum of Art's Jefferson R. Burdick Collection—a treasure trove of over 30,000 American trade cards gifted in 1948—this unassuming print highlights ephemera's enduring artistic value. Today, it reminds us how tiny tokens preserved big dreams of discovery.

About the Artist

Abdul Cigarettes · 18811881

Abdul Cigarettes, an enigmatic American entity active solely in 1881, stands as a fascinating footnote in the history of commercial art, best known for producing vibrant chromolithograph trade cards inserted into cigarette packages as promotional inserts. Little is documented about its origins or personnel, suggesting it operated as a short-lived publishing venture rather than the work of a singul...

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