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Woman and Smaller Male Figure on Grand Stairway [recto]

Hubert Robert

probably c. 1754/1765

Woman and Smaller Male Figure on Grand Stairway [recto] by Hubert Robert

Medium

black chalk on laid paper

Dimensions

Overall: 14 x 10.3 cm (5 1/2 x 4 1/16 in.) support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.)

Classification

Drawing

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Julius S. Held Collection, Ailsa Mellon Bruce Fund

Accession Number

1984.3.32.a

Rights

Public Domain

Art Historical Context

Hubert Robert, the 18th-century French master of architectural fantasy often called "Robert des Ru," created this delicate drawing around 1754–1765, likely during his formative years in Rome. Titled *Woman and Smaller Male Figure Grand Stairway [recto]*, it captures a poised woman and a diminutive male figure—perhaps a child or attendant—ascending an opulent, imagined staircase. Rendered in black chalk on laid paper, the intimate scale (just 14 x 10.3 cm) evokes the spontaneity of a sketchbook study, a medium Robert favored for exploring light, shadow, and spatial drama before translating ideas to larger paintings. Robert's style blends neoclassical grandeur with romantic evocations of antiquity, drawing from his immersion in Italy's ruins and palaces. Here, the sweeping stairway symbolizes the era's fascination with classical architecture, evoking Versailles or Roman palazzos while hinting at narrative intrigue through the figures' elegant scale and placement. Black chalk's soft, tonal range allows masterful modeling, creating depth in this modest format. Now in the National Gallery of Art's Julius S. Held Collection (Ailsa Mellon Bruce Fund), this recto drawing exemplifies Robert's genius for inventing timeless scenes that bridge history and imagination, inviting visitors to ponder the stories unfolding on those grand steps.

About the Artist

Hubert Robert · 17331808

Hubert Robert, born on May 22, 1733, in Paris, emerged from a modest background; his father, Nicolas Robert, served the influential Choiseul family, whose patronage shaped the young artist's path. After completing his studies at the Jesuit Collège de Navarre in 1751, he entered the atelier of sculptor Michel-Ange Slodtz, who taught him design and perspective before encouraging a shift to painting....

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