Artheon MuseumArtheonMuseum

Worker Shabti of Henettawy (C), Daughter of Isetemkheb

Unknown Artist

ca. 990–970 B.C.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb by Unknown Artist

Medium

Faience

Dimensions

h. 11.8 × w. 4.4 × d. 3.7 cm (4 5/8 × 1 3/4 × 1 7/16 in.)

Classification

Worker Shabti, Henettawy C

Period

Third Intermediate Period

Department

Egyptian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1925

Accession Number

25.3.20.35

Rights

Public Domain

Art Historical Context

Step into the mystical world of ancient Egyptian afterlife beliefs with this charming *Worker Shabti of Henettawy (C), Daughter Isetemkheb*. Crafted around 990–970 B.C. during Egypt's Third Intermediate Period (Dynasty 21), this faience figurine stands just 11.8 cm tall. Shabtis like this one were tomb companions, magically activated by spells from the *Book of the Dead* to laborious tasks—such as farming or building—for their owner in the afterlife, sparing nobles like Henettawy, a high-ranking priestess and daughter of the influential Isetemkheb, from such toil. Faience, the shabti's medium, was a prized glazed ceramic made from crushed quartz, lime, and copper pigments, fired to create a vibrant turquoise hue reminiscent of lapis lazuli or turquoise—stones symbolizing eternity and rebirth. This technique, perfected over millennia, allowed mass production of these "servant" figures, blending artistry with affordability for elite burials. The Met's example, acquired via the Rogers Fund in 1925, exemplifies the period's refined modeling, with detailed features like a basket on the back for hauling earth. These ushabtis offer a window into Dynasty 21's spiritual optimism amid political fragmentation, highlighting how everyday Egyptians envisioned paradise as a realm free from drudgery. A delightful reminder of humanity's timeless quest for eternal ease!

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