Yanagishima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"

Art Historical Context

**Yanagishima, from series "One Hundred Famous of Edo"** Utagawa Hirosh (1797–1858), a master of ukiyo-e woodblock printing, created this stunning color woodblock print in 1857 as part of acclaimed series *One Hundred Famous of Edo (Meisho Edo hyakkei)*. Produced in his final years, the series captures the beauty of Edo (modern-day Tokyo) through 118 vibrant landscapes, blending urban scenes with natural splendor across seasons. *Yanagishima*, or "Willow Island," depicts a serene riverside spot on the Arakawa River, evoking the leisurely pleasures of Edo's "floating world." Hiroshige's genius shines in his atmospheric perspective and bold color use, achieved through precise woodblock carving and layering of pigments—a labor-intensive process involving multiple artisans. The oban format (about 14 x 10 inches) allowed for intricate details like swaying willows and distant boats, immersing viewers in the scene. This print exemplifies ukiyo-e's cultural role in democratizing art, as affordable prints brought famous views to everyday people amid Japan's Edo-period prosperity. Published just before the Meiji Restoration, the series holds historical significance for preserving vanishing Edo traditions. Its influence reached the West, inspiring Impressionists like Monet and Van Gogh. A gem in the Art Institute of Chicago's Arts of Asia collection, *Yanagishima* invites us to savor Hiroshige's timeless harmony of nature and human joy. (198 words)

About the Artist

Utagawa Hiroshige · 1826–1869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...