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Yoshiwara: Fuji Marsh and Ukishima Plain (Yoshiwara, Fuji no numa ukishima ga hara), no. 15 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido

Yoshiwara: Fuji Marsh and Ukishima Plain (Yoshiwara, Fuji no numa ukishima ga hara), no. 15 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido by Utagawa Hiroshige

Medium

Color woodblock print; oban

Dimensions

37.9 × 26 cm (14 15/16 × 10 1/4 in.)

Classification

woodblock print

Department

Arts of Asia

Museum

Art Institute of Chicago

Accession Number

47777

Rights

Public Domain

Art Historical Context

Welcome to the Art Institute of Chicago's Arts of Asia collection, where Utagawa Hiroshige *Yoshiwara: Fuji and Ukishima Plain (1855) captivates with its serene landscape. This color woodblock print, number 15 from the series *Famous Sights of the Fifty-three Stations*—also called the Vertical Tōkaidō—depicts a sweeping view near the Yoshiwara post station along Japan's historic Tōkaidō road, connecting Edo (modern Tokyo) to Kyoto. Hiroshige, a master of the ukiyo-e ("pictures of the floating world") school, immortalized these roadside scenes during the late Edo period, evoking the era's wanderlust for everyday travelers and urban dwellers alike. Printed in the large oban format (37.9 × 26 cm), this work showcases Hiroshige's genius for atmospheric perspective and subtle color gradients, achieved through meticulous woodblock carving and layering of inks. Mount Fuji looms dramatically in the distance over misty marshes and open plains, a recurring motif symbolizing Japan's enduring natural beauty. The vertical composition draws the eye upward, mimicking the road's journey and heightening the sense of vastness. Culturally, these prints democratized scenic travel, offering affordable glimpses of famous sites to a broad audience before photography's rise. Hiroshige's influence rippled globally, inspiring Impressionists like Monet and Van Gogh, making this piece a bridge between Japanese tradition and modern art.

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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