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Young Lovers Walking Together under an Umbrella in a Snow Storm (Crow and Heron)

Young Lovers Walking Together under an Umbrella in a Snow Storm (Crow and Heron) by Suzuki Harunobu

Medium

Woodblock print; ink and color on paper

Dimensions

H. 10 1/8 in. (25.7 cm); W. 7 1/2 in. (19.1 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP1627

Rights

Public Domain

Tags

CouplesLoversWalkingTrees

Art Historical Context

Suzuki Harunobu's *Young Lovers Walking Together under an Umbrella in a Snow Storm (Crow and Heron)*, created around 1769, captures a tender moment from Japan's Edo period (1615–1868). This woodblock print, measuring just 10 1/8 by 7 1/2 inches, belongs to the ukiyo-e tradition—the "pictures of the floating world"—which celebrated everyday pleasures, romance, and beauty amid urban life in Edo (modern Tokyo). Harunobu, a pioneering artist, helped revolutionize printmaking by introducing full-color nishiki-e techniques just a few years earlier, using layered inks to achieve vibrant, lifelike hues on paper. In this intimate scene, a young couple huddles under a shared umbrella against swirling snowflakes, evoking poetic nicknames like "Crow and Heron" that may allude to their contrasting figures or a lovers' tale. Bare trees frame their stroll, heightening the wintry isolation and romantic seclusion. The delicate ink and color application showcases Harunobu's mastery of subtle gradients and textures, making the snow feel almost tangible. Housed in the Metropolitan Museum of Art's Asian Art Department from the esteemed H. O. Havemeyer Collection, this print reflects Edo Japan's fascination with *mono no aware*—the pathos of things—and offers visitors a glimpse into a cultured era where art democratized beauty for all.

About the Artist

Suzuki Harunobu · 17251770

Suzuki Harunobu (c. 1725-1770) was a Japanese ukiyo-e artist who revolutionized woodblock printing by developing nishiki-e—full-color prints using multiple woodblocks—in 1765. Before Harunobu, Japanese prints were limited to two or three colors; his innovation unleashed the entire artist's palette, transforming ukiyo-e into the vibrant art form that would later captivate Western artists from Manet...

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