Young Lovers Walking Together under an Umbrella in a Snow Storm (Crow and Heron)
ca. 1769
Medium
Woodblock print; ink and color on paper
Dimensions
H. 10 1/8 in. (25.7 cm); W. 7 1/2 in. (19.1 cm)
Classification
Prints
Culture & Period
Japan · Edo period (1615–1868)
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number
JP1627
Rights
Public Domain
Tags
Art Historical Context
Suzuki Harunobu's *Young Lovers Walking Together under an Umbrella in a Snow Storm (Crow and Heron)*, created around 1769, captures a tender moment from Japan's Edo period (1615–1868). This woodblock print, measuring just 10 1/8 by 7 1/2 inches, belongs to the ukiyo-e tradition—the "pictures of the floating world"—which celebrated everyday pleasures, romance, and beauty amid urban life in Edo (modern Tokyo). Harunobu, a pioneering artist, helped revolutionize printmaking by introducing full-color nishiki-e techniques just a few years earlier, using layered inks to achieve vibrant, lifelike hues on paper. In this intimate scene, a young couple huddles under a shared umbrella against swirling snowflakes, evoking poetic nicknames like "Crow and Heron" that may allude to their contrasting figures or a lovers' tale. Bare trees frame their stroll, heightening the wintry isolation and romantic seclusion. The delicate ink and color application showcases Harunobu's mastery of subtle gradients and textures, making the snow feel almost tangible. Housed in the Metropolitan Museum of Art's Asian Art Department from the esteemed H. O. Havemeyer Collection, this print reflects Edo Japan's fascination with *mono no aware*—the pathos of things—and offers visitors a glimpse into a cultured era where art democratized beauty for all.
About the Artist
Suzuki Harunobu · 1725–1770
Suzuki Harunobu (c. 1725-1770) was a Japanese ukiyo-e artist who revolutionized woodblock printing by developing nishiki-e—full-color prints using multiple woodblocks—in 1765. Before Harunobu, Japanese prints were limited to two or three colors; his innovation unleashed the entire artist's palette, transforming ukiyo-e into the vibrant art form that would later captivate Western artists from Manet...