Artheon MuseumArtheonMuseum

Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500)

Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893–94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500) by Aubrey Vincent Beardsley|Sir Thomas Malory

Medium

Pen and carbon black ink, brush and wash, over graphite

Dimensions

Sheet: 4 1/2 x 3 1/4 in. (11.5 x 8.3 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Albert Gallatin, 1919

Accession Number

19.107

Rights

Public Domain

Tags

Women

Art Historical Context

Aubrey Beardsley, the prodigious English illustrator of the Aesthetic and Art Nouveau movements, created *Young Woman Surrounded byars, Lightning and Roses by May 30, 1893, as a chapter heading for J.M. Dent's lavish 1893–94 of Sir Thomas Malory's * Morte d'Arthur*. just 20 years old, Beards transformed the medieval tales of King Arthur into a fin-de-siècle sensation with his decadent, intricate designs. This preparatory drawing, appearing on pages 215 and 500, evokes the perilous romance of Arthurian legend, surrounding a ethereal young woman with thorny briars, jagged lightning, and blooming roses—symbols of beauty entangled with danger and passion. Executed in pen and carbon black ink with brush and wash over graphite on a modest 4½ × 3¼-inch sheet, the work showcases Beardsley's mastery of high-contrast black-and-white technique. Influenced by Japanese prints and Pre-Raphaelite intensity, his sinuous lines and stark shading create a claustrophobic, dreamlike tension, blending eroticism and grotesquerie. Such vignettes were pivotal in the Dent edition, which featured over 300 of his illustrations, cementing Beardsley's fame despite his short life. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Albert Gallatin, 1919), this piece highlights the 1890s revival of chivalric myths amid modern decadence, inviting visitors to ponder the timeless allure of Malory's world through Beardsley's visionary lens.

    Send Feedback

    We use this only to reply to your feedback.