A Circular Medallion With the Immaculate Conception

About this artwork

Research in Progress

Art Historical Context

Fortunato Duranti, a skilled Italian artist active from the late 18th to mid-19th century, created *A Circular Medallion With Immaculate Conception* sometime between 1820 and 1850. This drawing captures a revered Catholic theme: the Immaculate Conception, the Virgin Mary as sinless from the moment of her conception—a doctrine central to devotional art in Italy during this era. Rendered in the intimate format of a circular medallion it evokes the elegance of cameos, intaglios, or religious medals, blending piety with refined decorative design. As a drawing in the Smithsonian American Art Museum's collection—acquired through museum purchase and donor gifts—this work highlights the cross-cultural exchange of artistic traditions. Duranti's piece reflects the Neoclassical influences lingering in early 19th-century Rome, where precise line work and symbolic motifs served both spiritual and ornamental purposes. Though research on this specific artwork is ongoing, its presence in an American institution underscores the enduring appeal of Italian religious iconography to global audiences. Visitors will appreciate how this modest yet profound medallion bridges faith and craftsmanship, inviting contemplation of Mary's exalted role in Christian theology.