Actors Representing the Feat of Asahina Breaking the Armer of Soga no Goro (Hirakawa-cho Yamamoto-cho kusazuribiki odori yatai) from the series The Festival of the Sanno Shrine (Sanno go-sairei)
1780
Medium
Color woodblock print; chuban
Dimensions
26.3 × 19.4 cm (10 3/8 × 7 11/16 in.)
Classification
woodblock print
Department
Arts of Asia
Museum
Art Institute of Chicago
Accession Number
36278
Rights
Public Domain
Art Historical Context
Torii Kiyonaga (1752–1815), a leading figure in Japan's ukiyo-e tradition during the late Edo period, masterfully captured the vibrancy of urban life in this 1780 color woodblock print. Titled *Actors Representing the Feat Asahina Breaking the of Soga no Goro (Hirakawa-cho Yamamoto kusazuribiki odori yatai)*, it forms part of his series *The Festival of the Sanno Shrine (Sanno go-sairei)*, documenting the grand 1776 celebrations at Tokyo's (then Edo's) Sanno Shrine—a major Shinto event blending religious ritual, parades, and theatrical performances that drew massive crowds. The scene depicts kabuki actors on a festival float (yatai) reenacting a thrilling moment from Japanese folklore: the warrior Asahina dramatically dismantling the armor of Soga no Goro, a figure from the legendary tale of the Soga brothers' revenge. This story was a staple of kabuki theater, symbolizing loyalty and vengeance, and such street performances brought history alive for everyday spectators during the festival's lively processions along streets like Hirakawa-cho and Yamamoto-cho. Printed in the compact chuban format (26.3 × 19.4 cm), Kiyonaga's work showcases ukiyo-e's innovative techniques: intricate woodblock carving for bold colors and fine lines, dynamic poses, and expressive faces that convey motion and drama. As a snapshot of Edo's cultural exuberance, it highlights how art democratized entertainment, preserving fleeting festival spectacles for posterity in the Art Institute of Chicago's Arts of Asia collection.
About the Artist
Torii Kiyonaga · 1752–1815
Torii Kiyonaga, born Sekiguchi Shinsuke in 1752 in Uraga, Sagami Province, was the son of an Edo bookseller who owned tenements near a bustling fish market. At age 14 in 1765, he began his apprenticeship under Torii Kiyomitsu, the third-generation head of the prestigious Torii school of ukiyo-e, renowned for kabuki theater illustrations and signage. Adopted into the Torii family, Kiyonaga succeede...