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At Sea--Signalling a Passing Steamer, from Every Saturday, April 8, 1871

At Sea--Signalling a Passing Steamer, from Every Saturday, April 8, 1871 by Winslow Homer

Medium

Graphic Arts-Print

Classification

Graphic Arts-Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum, The Ray Austrian Collection, gift of Beatrice L. Austrian, Caryl A. Austrian and James A. Austrian

Accession Number

1996.63.178

Rights

Public Domain

Tags

sailing shipseastorm

Art Historical Context

Winslow Homer's *At Sea—Signalling a Passing Steamer*, published in *Every Saturday* on April 8, 1871, captures a dramatic maritime moment during America's post-Civil War era of rapid technological change. As a pioneering American Realist, Homer began his career as a commercial illustrator for magazines like Harper's Weekly before gaining fame for his luminous watercolors and oils. This wood engraving print reflects his early mastery of graphic arts, translating intricate details into bold black-and-white contrasts ideal for mass reproduction. The scene depicts a sailing ship amid turbulent seas and stormy skies, its crew frantically signaling a modern steamer gliding past. Homer's precise lines and dynamic composition evoke the peril and isolation of traditional seafaring, while the steamer symbolizes industrial progress overtaking sail power. Tags like "sailing ship, sea, storm" highlight Homer's fascination with nature's raw power, a recurring theme that would define his later Adirondack and Maine coastal works. Housed in the Smithsonian American Art Museum's Ray Austrian Collection, this print offers a window into 19th-century American life, blending adventure with subtle commentary on modernity. It's a testament to Homer's skill in making the epic feel immediate and human.

About the Artist

Winslow Homer · 18361910

Winslow Homer (1836-1910) was one of America's greatest painters and a preeminent figure in 19th-century American art. Largely self-taught, Homer began his career as a commercial illustrator and Civil War correspondent for Harper's Weekly before becoming renowned for his powerful marine subjects and landscape paintings. His mastery of both oil and watercolor, combined with his uncompromising reali...

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