Christ Appearing to his Mother, from Speculum passionis domini nostri Ihesu Christi
Medium
Woodcut
Dimensions
Sheet: 9 1/2 × 6 1/2 in. (24.1 × 16.5 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Junius S. Morgan, 1919
Accession Number
19.52.59
Rights
Public Domain
Tags
Art Historical Context
In the early 16th century, the Northern Renaissance, German artist Hans Schäufelein created this poignant woodcut, *Christ Appearing to Mother*, as part of Ulrich Pinder's devotional book *Speculum passion domini nostri Ihes Christi*, published by Friedrich Peypus in1507. The image captures a tender moment from Christian scripture: the resurrected Christ revealing himself to the Virgin Mary, emphasizing themes of divine love, sorrow, and redemption central to late medieval piety. Such scenes from the Passion cycle were immensely popular, offering believers visual aids for meditation and prayer amid the religious fervor preceding the Reformation. Printed on a modest sheet measuring 9½ × 6½ inches, this woodcut exemplifies the era's innovative printmaking technique. Woodcuts, carved into blocks and inked for multiple impressions, democratized art by making high-quality religious imagery affordable to laity beyond the elite. Schäufelein, a pupil of Albrecht Dürer, brought dynamic line work and expressive figures influenced by his master's style, infusing the composition with emotional depth—Mary's gentle recognition of her son conveyed through subtle gestures and drapery. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Junius S. Morgan, 1919), this print highlights the cultural role of illustrated books in fostering personal devotion. It invites visitors to reflect on how art bridged the spiritual and everyday life in Renaissance Europe.
About the Artist
Hans Schäufelein|Ulrich Pinder|Friedrich Peypus · 1480–1540
Hans Schäufelein (c. 1480–c. 1540) was a German painter and graphic artist of the Northern Renaissance whose career placed him at the heart of one of the most dynamic artistic environments in European history. As a young man, he entered the workshop of Albrecht Dürer in Nuremberg, an experience that proved decisive: Dürer's meticulous approach to draughtsmanship, his mastery of printmaking, and hi...