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Christ kneels and writes on the pavement at center, while the woman taken in adultery stands between three soldiers at right

Christ kneels and writes on the pavement at center, while the woman taken in adultery stands between three soldiers at right by Luca Giordano|Francesco Palmieri

Medium

Etching; second state of two

Dimensions

Plate: 14 3/16 × 19 7/8 in. (36.1 × 50.5 cm) Sheet: 14 13/16 × 20 11/16 in. (37.6 × 52.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1947

Accession Number

47.100.888

Rights

Public Domain

Art Historical Context

This etching captures a pivotal moment from the Gospel of John (8:1-11), where Christ kneels to write on the pavement, declaring, "Let him who is without sin among you be the first to throw a stone" at the woman accused of adultery. She stands nervously between three soldiers at right, heightening the drama of mercy triumphing over judgment. Created in 1653 by Neapolitan artist Luca Giordano, with etching by Francesco Palmieri, reflects the Baroque era's emphasis on emotional intensity and moral theater. As a second state of two impressions from a large plate (14 3/16 × 19 7/8 in.), this print showcases etching's precision—acid biting into metal to create rich, velvety lines that convey movement and texture. Giordano, then just 19, was already mastering dynamic compositions that would define his prolific career in frescoes and oils. Prints like this made grand religious narratives accessible, spreading Counter-Reformation ideals of redemption across Europe. Housed in the Metropolitan Museum of Art's Elisha Whittelsey Collection, it exemplifies 17th-century printmaking's role in democratizing art, inviting viewers to ponder timeless themes of forgiveness amid human frailty.

About the Artist

Luca Giordano|Francesco Palmieri · 16341705

Luca Giordano (1634–1705) was an Italian painter of the late Baroque period who was one of the most prolific and versatile artists of the seventeenth century, earning the nickname "Luca fa presto" ("Luca works fast") for his extraordinary speed of execution. Born in Naples, he studied under José de Ribera and traveled extensively in Italy, absorbing influences from the Venetian colorists, Pietro d...

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