Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)"

Art Historical Context

Utagawa Kuniyoshi1797–1861), a master of the ukiyo-e tradition, created *Dashun (Taishun)* around 1843 as part of his series *Twenty-four Par of Filial Piety as a Mirror for Children (ijushiko doji kagami)*. This woodblock print on oban paper (24.5 × 36.9 cm) captures one of 24 exemplary tales from a classic Chinese Confucian text, adapted for Japanese audiences to teach moral virtues, especially to young viewers. Kuniyoshi's dynamic style, known for its bold lines, vibrant colors, and dramatic compositions, brings these timeless stories to life, blending historical narrative with accessible storytelling. The series reflects Edo-period Japan's emphasis on Confucian ideals like filial piety (kō), which stressed devotion to parents as a cornerstone of social harmony. Produced via intricate woodblock printing—where carved blocks were inked and layered for rich hues—this oban format allowed for detailed, theatrical scenes ideal for home display or education. Kuniyoshi, famed for warrior prints and whimsical subjects, here showcases his versatility in moralistic art. Housed in the Art Institute of Chicago's Arts of Asia department, this print highlights ukiyo-e's role in disseminating ethical lessons through popular visual culture, making profound virtues engaging for all ages.

About the Artist

Utagawa Kuniyoshi · 1797–1861

Utagawa Kuniyoshi (1797–1861) was born in Edo to the silk-dyer Yanagiya Kichiyemon, originally bearing the childhood name Yoshisaburō. From a young age, he assisted in his family's pattern design work, which sharpened his innate mastery of color and textile motifs that would permeate his later prints. At around twelve years old, his prodigious drawing skills drew the attention of the renowned Utag...