Der Volksdichter Don Miguel von Segovia
um 1900
Medium
Öl auf Leinwand
Dimensions
201 x 100 cm
Classification
Gemälde
Department
Belvedere Collection
Museum
Belvedere
Credit
Belvedere, Vienna
Accession Number
531
Rights
Public Domain
About this artwork
Der aus dem Baskenland stammende Ignacio Zuloaga zählt zu den bekanntesten spanischen Malern seiner Zeit. Bereits während seiner Studienjahre in Paris reüssiert er im Porträtfach, das sein künstlerischer Schwerpunkt bleiben wird. 1898 entdeckt er die spanische Stadt Segovia für sich. In zahlreichen Bildern hält er Menschen, die hier leben, fest. Einer davon ist der Volksdichter Don Miguel, vermutlich eine lokale Größe, von der sonst keine weiteren Daten bekannt sind. Wie eine Statue posiert der ...
Art Historical Context
Ignacio Zuloaga, a renowned Basque painter, captured the spirit of Spain's regional characters in his portraits around 1900. Trained in Paris where he excelled in portraiture Zuloaga turned his gaze to Segovia after discovering the city in 1898. There, he immortalized everyday locals in oil on canvas, creating monumental works like this towering 201 x 100 cm painting, *Der Volksdichter Don Miguel von Segovia*. Now part of Vienna's Belvedere Collection, it exemplifies his lifelong focus on human subjects, blending realism with dramatic flair. Don Miguel, a local folk poet whose life remains largely undocumented, poses statue-like for Zuloaga. Draped in a mantle evoking a Roman toga, crowned by a massive beret, and clutching a rolled scroll, he embodies the archetypal literati figure. This theatrical staging highlights Zuloaga's skill in elevating ordinary people to heroic status, drawing on Spanish portrait traditions while infusing them with personal intensity. Zuloaga's Segovia series, including this portrait, celebrates rural Spain's cultural depth at the turn of the century, preserving vanishing folk traditions amid modernization. Visitors will appreciate how the painting's vertical format commands attention, inviting us to ponder the poet's untold verses and the artist's affectionate gaze on his homeland.