Hab.t de l'Isle de Paques, from the playing cards (for quartets) "Costumes des Peuples Étrangers"
Medium
Etching and hand coloring (watercolor)
Dimensions
3 3/16 × 2 1/16 in. (8.1 × 5.3 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of the Estate of James Hazen Hyde, 1959
Accession Number
59.654.17(13)
Rights
Public Domain
Tags
Art Historical Context
This charming etching, *Hab.t de l'Isle de Paques* (Inhabitant of Easter Island), is one card from the French 18th-century playing card set *Costumes des Peuplestrangers*, designed for quartet games. Created anonymously around 1700–99, it captures a male figure from the remote Pacific island—known today as Rapa Nui traditional attire, reflecting Europe's growing curiosity about distant cultures during the Age of Exploration. The small scale (just over 3 by 2 inches) made it perfect for pocket-sized entertainment, blending education with leisure. Printed via etching—a precise intaglio technique that allowed intricate details in clothing and pose—the card was then vividly hand-colored with watercolor. This labor-intensive process added lifelike vibrancy, turning functional game pieces into miniature works of art. Such sets were popular in French salons, offering players glimpses of "exotic" peoples while promoting geographic awareness amid colonial voyages. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this piece highlights 18th-century printmaking's role in disseminating global imagery. Though stylized, it preserves a snapshot of cross-cultural fascination, inviting us to ponder how Europeans imagined the world's edges long before widespread photography.
About the Artist
Anonymous, French, 18th century · 1700–1800
The artist known as Anonymous, French, 18th century, represents a collective of unidentified talents active roughly between 1700 and 1800, a period of profound artistic evolution in France from the opulent Rococo to the austere dawn of Neoclassicism and Revolutionary fervor. Little is documented about their personal training or mentors, as their anonymity obscures individual biographies, though th...