Artheon MuseumArtheonMuseum

Hab.t du Port Francais from playing cards "Jeu d'Or"

Hab.t du Port Francais from playing cards "Jeu d'Or" by Anonymous, French, 18th century

Medium

Etching and hand coloring (watercolor)

Dimensions

3 3/16 × 2 1/16 in. (8.1 × 5.3 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of the Estate of James Hazen Hyde, 1959

Accession Number

59.654.14(28)

Rights

Public Domain

Tags

MenProfilesPlaying Cards

Art Historical Context

Step into the whimsical world of 18th French playing cards with *Hab.t du Port Franc* from the *Jeu d'Or* deck. This petite etching, measuring just 3 3/16 × 2 1/16 inches, captures a profiled male figure—likely a resident of a French port—in delicate lines enhanced by vibrant hand-coloring in watercolor. Created anonymously between 1700 and 1799, it exemplifies the ornamental prints popular in Europe's courts and salons, where playing cards doubled as miniature works of art. Etching allowed for precise, reproducible designs, while the hand-applied watercolor brought each card to life with personal flair, making luxury decks like *Jeu d'Or* (meaning "Gold Game") coveted collectibles. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this piece reflects the era's fascination with exotic profiles and architectural motifs, blending utility with elegance. Such cards weren't just for games; they showcased craftsmanship and cultural exchange, evoking the bustling ports of France's colonial ambitions. Today, it invites us to appreciate how everyday objects carried artistic prestige, a testament to the anonymous talents fueling 18th-century leisure. (198 words)

About the Artist

Anonymous, French, 18th century · 17001800

The artist known as Anonymous, French, 18th century, represents a collective of unidentified talents active roughly between 1700 and 1800, a period of profound artistic evolution in France from the opulent Rococo to the austere dawn of Neoclassicism and Revolutionary fervor. Little is documented about their personal training or mentors, as their anonymity obscures individual biographies, though th...

    Send Feedback

    We use this only to reply to your feedback.