Ka-bés-hunk, He Who Travels Everywhere, a Warrior
1835
Medium
Painting
Classification
Painting
Department
Smithsonian Collection
Museum
Smithsonian American Art Museum
Credit
Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr.
Accession Number
1985.66.189
Rights
Public Domain
Tags
About this artwork
In 1835, after his visit to Oklahoma, George Catlin journeyed up the Mississippi by steamer from New Orleans to Fort Snelling in present-day Minnesota, bringing his wife, Clara, on a western “tour” for the first and only time. Tribes of the Upper Mississippi and Great Lakes region, such as the Ojibwe/Chippewa shown here, had been increasingly pressured by European traders, war, and United States expansion since the eighteenth century. Well before Catlin’s arrival, the upper midwestern tribes had...
Art Historical Context
In 1835, renowned artist George Catlin captured the dignified likeness of Ka-bés-hunk, an Ojibwe (also known as Ojibwa or Chippewa) warrior name translates to "He Travels Everywhere." This striking portrait was painted during Catlin's ambitious steamer journey up the Mississippi River New Orleans to Fort Sn in present-day Minnesota—the only time he brought his wife, Clara, on one of his western expeditions. Catlin, a pioneering 19th-century painter, dedicated his career to documenting Native American life through realistic portraits and scenes, fearing cultural erasure amid rapid change. The Ojibwe of the Upper Mississippi and Great Lakes regions faced intense pressures from European traders, intertribal wars, and relentless U.S. expansion since the 1700s. Yet, as seen in Ka-bés-hunk's attire, these resilient communities had adapted by incorporating vibrant woven cloths and intricate beadwork into their traditional dress, blending indigenous craftsmanship with traded goods. Catlin's oil painting exemplifies his Romantic yet ethnographic style, emphasizing the subject's noble bearing and cultural details to preserve a vanishing world for posterity. Today, housed in the Smithsonian American Art Museum, this work highlights Catlin's urgent mission to create an authentic visual record of Native peoples, offering visitors a window into a pivotal era of American history and indigenous resilience.
About the Artist
George Catlin · 1796–1872
George Catlin (1796–1872), born in Wilkes-Barre, Pennsylvania, to Putnam Catlin and Polly Sutton—who had been captured by Native Americans during the 1778 Battle of Wyoming—initially pursued a legal career. Trained at Litchfield Law School, he was admitted to the bar in 1819 but abandoned law after two years to study art in Philadelphia in 1823. Self-taught as a portraitist, Catlin quickly gained ...