Lucifer and Demons Fleeing Saint Michael

Art Historical Context

In the National Gallery of Art's R.L. Baumfeld Collection *Lucifer and Demons Flee Saint Michael* is a striking etching by Alfonso Parigi II created between 1601 and1650. This Italian artist, known for his work in architecture and design during the late Renaissance and early Baroque periods in Florence, captures a pivotal biblical scene from the Book of Revelation (12:7-9). The archangel Michael, triumphant warrior of heaven, drives Lucifer and his demonic forces into chaotic retreat, embodying the eternal struggle between good and evil. Etching, Parigi's chosen medium, was a revolutionary printmaking technique in the 17th century, allowing intricate lines and tonal effects through acid-bitten metal plates. This method enabled artists like Parigi to produce detailed, reproducible images that spread religious iconography widely during the Counter-Reformation. The work's dramatic composition—swirling demons, Michael's poised sword, and ethereal figures—reflects Baroque tendencies toward movement and emotion, making it a vivid tool for inspiring faith. Housed in the CG-E department as a classified print, this piece highlights how prints democratized art, bringing grand religious narratives into homes and churches across Europe. A testament to spiritual victory, it invites visitors to ponder humanity's timeless battle against darkness.