Mask with a Wreath of Laurels and a Wreath of Oak Leaves, Seen from Below, from Divers Masques
ca. 1635–45
Medium
Etching
Dimensions
Sheet: 2 3/8 × 1 9/16 in. (6.1 × 4 cm)
Classification
Prints|Ornament & Architecture
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1945
Accession Number
45.101.56
Rights
Public Domain
Tags
Art Historical Context
Step into the whimsical world of 17th French ornamentation with *Mask with a Wre of Laurels and areath of Oak Leaves Seen from Below*, an exquisite etching from the series *Divers Masques*. Created around 1635–45 by François Chauveau, a prolific illustrator and engraver known for his delicate book illustrations, in collaboration with Jacques Van Mer, this tiny print (just 2 3/8 × 1 9/16 inches) captures a theatrical mask viewed dramatically from below. The laurel wreath evokes classical triumphs and poetic inspiration, while oak leaves symbolize strength and divine favor, nodding to Greco-Roman antiquity revived during France's Baroque era under Louis XIII. Etching's fine lines allowed Chauveau and Van Merlen to render intricate textures—the veined leaves, flowing ribbons, and expressive mask features—with remarkable precision on such a intimate scale. This perspective creates a sense of looming grandeur, a Baroque technique that heightens drama, perfect for architectural decoration or theatrical designs where masks played starring roles in ballets and operas. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this piece from the Harris Brisbane Dick Fund highlights the era's fascination with grotesque and ornamental motifs. Part of a series exploring fantastical faces, it invites visitors to ponder how such prints bridged art, design, and performance in the opulent courts of early modern Europe.
About the Artist
François Chauveau|Jacques Van Merlen · 1613–1676
Comment on works: Miniature painter; History; Genre; Portraits