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Satyr Mask with Curled Horns, Leafy Eyebrows and a Cloth Hanging Beneath the Chin, from Divers Masques

Satyr Mask with Curled Horns, Leafy Eyebrows and a Cloth Hanging Beneath the Chin, from Divers Masques by François Chauveau|Jacques Van Merlen

Medium

Etching

Dimensions

Sheet: 2 5/8 × 1 5/8 in. (6.6 × 4.2 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1945

Accession Number

45.101.50

Rights

Public Domain

Tags

MasksSatyrs

About this artwork

This etching by François Chauveau from the 'Divers Masques' series (circa 1635-45) depicts an elaborate satyr mask with curled horns, leafy eyebrows, and a cloth hanging beneath the chin—fantastical designs that influenced French decorative arts during the Baroque period. Chauveau, one of France's most prolific illustrators and ornament designers, created countless prints that disseminated design vocabularies for artisans working in various media. The 'Divers Masques' series provided source mate...

Art Historical Context

Behold the whimsical *Satyr Mask with Curled Horns, Leafy Eyebrows and a Cloth Hanging Beneath the Chin*, an etching from François Chauveau's * Masques* series, created around 1635–45 in collaboration with Jacques Van Mer. This tiny print (just 2⅝ × 1⅝ inches) captures a fantastical grotesque: a satyr's face blending human mischief, curling animal horns, leafy brows evoking wild foliage, and a dangling chin cloth. Chauveau, France's prolific ornament designer, crafted such images to fuel the Baroque era's love for exuberant decoration. These masks drew from Renaissance grotesque traditions, merging human, beast, and plant forms to symbolize nature's vibrant forces. Yet their true power lay in practicality—affordable and portable, they served as workshop blueprints for sculptors, metalworkers, furniture makers, and architects. From garden statues to theatrical props, satyr motifs proliferated in French decorative arts, embodying the period's ornate spirit. Chauveau's etching mastery shines in intricate lines that suggest depth through shading, making the mask leap off the page. Acquired by The Metropolitan Museum of Art via the Harris Brisbane Dick Fund in 1945, this print reveals how modest designs shaped grand Baroque splendor across media.

About the Artist

François Chauveau|Jacques Van Merlen · 16131676

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