Momiji no ga, from the series "A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji)"

Art Historical Context

This elegant color woodblock print by Chôbunsai Eishi forms the central panel of an oban triptych titled *Momiji no ga*, part of his series *A Fashionable Parody of the Tale of Genji* (*Fūryū yatsushi Genji*), created around 1789–1794. As a leading ukiyo-e artist of the late Edo period, Eishi specialized in refined depictions of beautiful women and courtly themes, here reimagining scenes from the 11th-century classic *The Tale of Genji* in contemporary, fashionable dress. The work transforms ancient literary episodes into accessible, stylish images that resonated with urban audiences of the time. Printed in vibrant colors on a large triptych format measuring nearly 30 inches wide, the piece exemplifies the technical sophistication of Japanese woodblock printing. Multiple blocks allowed for delicate gradations and intricate patterns, making such works both affordable and visually striking. The parody series playfully bridges classical literature with popular culture, inviting viewers to appreciate timeless stories through a modern lens. Today housed in the Art Institute of Chicago’s Arts of Asia collection, this print highlights the enduring appeal of *The Tale of Genji* and the innovative spirit of ukiyo-e artists who kept ancient tales alive for new generations.

About the Artist

Chôbunsai Eishi · 1756–1829

Chôbunsai Eishi, born Hosoda Tokitomi in 1756 to a prosperous samurai family of the Fujiwara clan in Edo, inherited a substantial stipend of 500 koku of rice annually. His grandfather had served as the shogunate's Treasury Minister, and upon his father Hosoda Tokiyuki's death in 1772, Eishi became family head while holding a position in Shogun Tokugawa Ieharu's palace from 1781. Unusually for a uk...