No. 168

About this artwork

Research in Progress

Art Historical Context

**No. 168** *Ludwig Lobmeyr (Austrian, 1829–1917), 1871* Glassware, Smithsonian American Art Museum ed in 1871 by Ludwigmeyr, a master of Viennese glassmaking, *No. 168* the exquisite craftsmanship of 19th-century Austrian glass. Lobmeyr, whose family firm—founded in 1823—gained renown for supplying European royalty and aristocracy, produced luxurious crystal pieces blending technical precision with elegant design. This work, cataloged simply as "No. 168," likely represents one of the firm's signature designs from their opulent production line, showcasing the era's fascination with cut, engraved, and molded glass that mimicked fine jewelry in transparency and sparkle. During the late 19th century, Austrian glass from makers like Lobmeyr symbolized refined luxury amid Europe's industrial boom and the rise of historicist styles. Techniques such as wheel-cutting and acid etching allowed for intricate patterns that played with light, making pieces like this both functional and decorative—ideal for dining tables of the elite. Its presence in the Smithsonian American Art Museum highlights the transatlantic exchange of decorative arts, reflecting how European imports influenced American tastes during the Gilded Age. Though research on *No. 168* is ongoing, this piece invites us to appreciate the artistry in everyday opulence, where glass transcends utility to become a canvas for light and form. A testament to Lobmeyr's enduring legacy, it connects visitors to a world of imperial splendor. (198 words)