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Page Three from "Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier"

Page Three from "Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier" by Gilles-Marie Oppenord, French, 1672–1742

Classification

Print

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Smithsonian American Art Museum

Accession Number

1959-85-15

Rights

Public Domain

About this artwork

Research in Progress

Art Historical Context

This print represents page three from a celebrated collection of ornamental designs by Gilles-Marie Oppenord, the French architect who served ase du Roi. Born in 1672 and until his death in 1742 Oppenord created inventive decorative schemes that influenced interiors and architecture during a vibrant period of French artistic patronage. The work’s full title, “Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier,” identifies it as part of a third book of long friezes or panels conceived by Oppenord and skillfully engraved by Huquier. Issued after 1751, years after the designer’s lifetime, the print attests to the lasting demand for Oppenord’s ideas. As an engraved sheet from a pattern book, it belongs to an important tradition of reproductive prints that circulated sophisticated motifs among architects, craftsmen, and patrons across Europe. These elongated compositions served as practical models for architectural friezes, wall treatments, and related decorative applications, illustrating how printmaking expanded the reach of royal-court design. Held in the Smithsonian American Art Museum, the sheet offers a window into eighteenth-century collaboration between inventor and engraver. Though the precise printing technique is not recorded, its classification as a print underscores the vital role such publications played in transmitting ornamental vocabulary and shaping the visual language of the era.

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