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Sense of Sight, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)

Sense of Sight, plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith) by Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637

Classification

ornament

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Museum purchase through gift of Mrs. John I. Kane

Accession Number

1945-6-2-b

Rights

Public Domain

About this artwork

Research in Progress

Art Historical Context

**Sense of Sight**, delicate engraving plate by Dutch Crispijn de Passe the Elder (ca. 1565–1637), forms part of the series *Quinque sensum typi usum aurifabrorum exarati*— for "Images of the Senses Engraved for Benefit of Goldsmiths." Created around 1580, this work captures the Renaissance fascination with the human senses through allegorical imagery, likely personifying Sight with symbolic motifs like eyes, mirrors, or optical devices rendered in intricate line work. De Passe, a master engraver from Antwerp, specialized in reproductive prints and ornamental designs that bridged fine art and craftsmanship. Produced during the late 16th century in the Spanish Netherlands, this plate served a practical purpose: providing goldsmiths with elegant templates for jewelry, silverware, and metalwork. Its classification as an "ornament" highlights the era's Mannerist style, emphasizing elaborate patterns and symbolic depth to inspire luxury goods amid the burgeoning Dutch trade economy. Housed in the Smithsonian American Art Museum through a generous purchase, this piece reflects the cultural interplay between visual allegory and artisanal innovation. Though research continues, it invites visitors to ponder how everyday senses inspired enduring decorative arts, blending education with exquisite design.

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