Sketches for paintings. Obverse: A Roman officer holds a crucifix upon a heathen altar. Reverse: Christ rising

About this artwork

Research in Progress

Art Historical Context

Pasqualino Marini's *Sketches for Paintings* (ca. 1700) offers a fascinating glimpse into the preparatory process of a late Baroque artist. This double-sided drawing features dynamic figural studies: on the obverse, a Roman officer boldly holds a crucifix atop a heathen altar, symbolizing the triumph Christianity over paganism; on the reverse, Christ triumphantly, evoking the Resurrection's power and hope. As sketches in the medium of figures, these works capture Marini's fluid lines and expressive poses, essential steps toward larger paintings. Created around the turn of the 18th century, the artwork reflects the era's intense religious fervor in Catholic Europe, where dramatic contrasts of faith versus idolatry were popular in art to inspire devotion. Marini's Italian heritage likely influenced this vivid narrative style, blending historical drama with spiritual intensity—a hallmark of Baroque religious iconography. Now housed in the Smithsonian American Art Museum through a museum purchase funded by generous donors, these sketches highlight the museum's commitment to diverse artistic traditions. Though research continues, they invite us to ponder the artist's vision: from sketches to grand canvases, bridging personal devotion and public worship.